This is part of what I've been working on with Liow. The story here is continuing one from another song (the two songs might actually end up being combined for a short film).
Could probably use a little more tweaking, but on the whole I'm pretty happy with how it's sounding so far.
It’s like codeine, cocaine
Nosebleeds and pain pills
Slow weed brain chills
Expose the inane thrills
Blows from the cane
Chained to the train still
I’m just trying to live
Yet they call it terrorism
I’ll use my Dictaphone to spit
Take out the tape
Then I’ll hold it in my fist
While I smack you in the face
It ain’t quite exact
My facts lack some grace
But I’ll sacrifice tact
To impact with such weight
I’ll do a drive by
To avoid being pedestrian:
To never rest again
Employed but not content
Instead I take my words to the streets
Forever questioning:
So how you living friend?
Blood stains the bitchuman
I’ll break my prescription
Perceive with clarity
Visions in the mind
And bro, that’s where the battle be
But if you please
Don’t consider me a casualty
I’d rather die emphatically
Than live automatic
Set fire to the class room
Bask in harsh fumes
Scorch and ruin
The spoon with which you feed ‘em
From text books to ashes
Vexed looks from slackers
Suspect that I’m stressed
My quest: to cook fascists
I’ll read your bibles
Make reticent the preacher
Bleach through the speeches
Impeach the speaker
What of my faith?
Am I another mind slave?
When I reach for the gate
Will I quiver and quake?
I’ll be a sex slave
Escape the nine to five
Grinding daily
Just to avoid the daily grind
I lack the patience
Bondage that’s blatant
Break these fuckers off
Or suffer self-asphyxiation
It’s like codeine, cocaine
Nosebleeds and pain pills
Slow weed brain chills
Expose the inane thrills
Blows from the cane
Chained to the train still
I’m just trying to live
Yet they call it terrorism
Monday, April 21, 2008
Sunday, April 13, 2008
New Atmosphere
I'm digging the sound of this track. The video is probably better not watched at work/school etc.
Tuesday, April 8, 2008
The Machinist - Draft Lyrics
I've been working on a whole bunch of songs lately, and I've decided to share a little bit of the material as it develops.
I've got some pretty mixed feelings about this.
Most times, it takes me months to write a song. Unfortunately, I'm not blessed with the ability to sit down and write sixteen bars in an hour like some MCs. For me, going from the basic idea to a finished song is a long and grueling process. The material I finish with may bear little resemblance to the original ideas and lyrics I began with. I usually start with some really rough ideas and gradually develop them.
So, when I post draft lyrics or ideas, they are most likely going to be raw and unfinished.
It can be a bit daunting to let someone else see your work in its most raw state. But, on the other hand, reading blogs like Ivens' makes me wish I could find out more about the process other musicians and artists go through in creating their work.
So, here it is... I'm documenting my process... If you can be bothered reading this blog, I hope you find it an interesting insight into the way I create music.
Anyways, here's something I scribbled down the other day for a track I'm working on called "The Machist". All or part of this may or may not make it into the final track.
I'm the machinist
The dragon of this thunderous cavern
Of lust, smoke, and dust
I sit staunch over my mountain
Of gold and gems
Trinkets of fallen men
With withered souls
I turn riches to coal
I've got some pretty mixed feelings about this.
Most times, it takes me months to write a song. Unfortunately, I'm not blessed with the ability to sit down and write sixteen bars in an hour like some MCs. For me, going from the basic idea to a finished song is a long and grueling process. The material I finish with may bear little resemblance to the original ideas and lyrics I began with. I usually start with some really rough ideas and gradually develop them.
So, when I post draft lyrics or ideas, they are most likely going to be raw and unfinished.
It can be a bit daunting to let someone else see your work in its most raw state. But, on the other hand, reading blogs like Ivens' makes me wish I could find out more about the process other musicians and artists go through in creating their work.
So, here it is... I'm documenting my process... If you can be bothered reading this blog, I hope you find it an interesting insight into the way I create music.
Anyways, here's something I scribbled down the other day for a track I'm working on called "The Machist". All or part of this may or may not make it into the final track.
I'm the machinist
The dragon of this thunderous cavern
Of lust, smoke, and dust
I sit staunch over my mountain
Of gold and gems
Trinkets of fallen men
With withered souls
I turn riches to coal
Monday, March 31, 2008
A Pocketful of MCs
General Elektriks (RV Salters from Quannum Projects) is releasing one free track a month in anticipation of his new album "Good City For Dreamers". I posted about it on the D.I.Y blog a few days ago, and I've listened to the three available tracks a few times since then.
Overall, the quality is pretty good. If you're into General Elektriks you will probably enjoy the beats. The raps are of a great quality on their own, but they also work very well as an accompaniment to the music.
Here's a little break down of my impressions of the first three tracks
'Requiem For A Neo-Con' (Featuring Mr Lif)
Mr. Lif kills it. What more do I need to say? He sounds great over the funky Serge Gainsbourg sample.
'Death Of An 80s Limo' (Featuring Beans)
Beans' off kilter rhythms and rhyme schemes fit perfectly with the beat on "Death of an 80s Limo". Whats more, Beans uses the title of the original track ("The Chauffer" by Duran Duran) as inspiration for the narrative of his rap. Really quality stuff. I haven't heard a lot of Beans but I'm very interested to check out more of his stuff. RV also provides some very nice moody synth work, particularly at the end of the track. This isn't necessarily a track to groove to, but it's definately an interesting listen.
"Coming Up For Air" (featuring Lateef The Truthspeaker)
It actually took me a few years to really appreciate just how good an MC Lateef is. It wasn't that he started out whack and then drastically improved, or anything like that. Rather, back when I first heard him, my understanding of the technical and musical sides of MCing just wasn't developed enough to see just how skilled he really was.
Lateef is a beast on the mic, and this track serves as a great example of the musical dexterity he has. The first section of the song features him (sort of) singing and his delivery suits the music perfectly. An excellent performance that is very appropriate to the atmosphere of the beat.
So whether or not you like the GE production, all three MCs deliver some quality material!
Check it out at the GE website. Free tracks are good tracks! (Click on the "GE tracks for free" link at the top of the news page.)
Overall, the quality is pretty good. If you're into General Elektriks you will probably enjoy the beats. The raps are of a great quality on their own, but they also work very well as an accompaniment to the music.
Here's a little break down of my impressions of the first three tracks
'Requiem For A Neo-Con' (Featuring Mr Lif)
Mr. Lif kills it. What more do I need to say? He sounds great over the funky Serge Gainsbourg sample.
'Death Of An 80s Limo' (Featuring Beans)
Beans' off kilter rhythms and rhyme schemes fit perfectly with the beat on "Death of an 80s Limo". Whats more, Beans uses the title of the original track ("The Chauffer" by Duran Duran) as inspiration for the narrative of his rap. Really quality stuff. I haven't heard a lot of Beans but I'm very interested to check out more of his stuff. RV also provides some very nice moody synth work, particularly at the end of the track. This isn't necessarily a track to groove to, but it's definately an interesting listen.
"Coming Up For Air" (featuring Lateef The Truthspeaker)
It actually took me a few years to really appreciate just how good an MC Lateef is. It wasn't that he started out whack and then drastically improved, or anything like that. Rather, back when I first heard him, my understanding of the technical and musical sides of MCing just wasn't developed enough to see just how skilled he really was.
Lateef is a beast on the mic, and this track serves as a great example of the musical dexterity he has. The first section of the song features him (sort of) singing and his delivery suits the music perfectly. An excellent performance that is very appropriate to the atmosphere of the beat.
So whether or not you like the GE production, all three MCs deliver some quality material!
Check it out at the GE website. Free tracks are good tracks! (Click on the "GE tracks for free" link at the top of the news page.)
Saturday, March 29, 2008
Liow Collaboration
From the D.I.Y Art blog:
Today Chris hit up the (makeshift) studio with jazz pianist/producer Nathan Liow and trumpeter Oscar O'Bryan. Nathan and Oscar laid down some great jazz improv for an experimental film / music video that D.I.Y Art Films is set to release in the second half of the year.
Nathan Liow is in his final year at the VCE school of jazz and has performed in clubs around Melbourne. In addition to his work as a jazz performer, Nathan also works as an electronic producer and has gained a great deal of success and recognition over the last few years. Most recently he won the Triple J Bloc Party remix competition. (Check him out on myspace, and on the Triple J unearthed site.)
Nathan rockin out
Long-time D.I.Y Art collaborator, Oscar O'Bryan, has performed extensively around Melbourne as both a trumpeter and DJ. He has played in venues including the Hi-Fi Bar, the Corner Hotel, Manchester Ln, and the Crown Palladium. He is one sixth of the funk/fusion outfit King Armadillo and also performs in various jazz outfits. (Check out the King Armadillo website, designed by D.I.Y Art’s Chris.)
Oscar doing some pro toolin'
The studio setup
D.I.Y Art associate Peter Dumsday
Nathan & Oscar doing some quality sound proofing, D.I.Y style…
The finished product
More pics:
Chris trying to get pro tools working and Nathan having a rest. Yeah, we were all pretty tired.
Oscar amused himself between takes by taking photos like these.
Today Chris hit up the (makeshift) studio with jazz pianist/producer Nathan Liow and trumpeter Oscar O'Bryan. Nathan and Oscar laid down some great jazz improv for an experimental film / music video that D.I.Y Art Films is set to release in the second half of the year.
Nathan Liow is in his final year at the VCE school of jazz and has performed in clubs around Melbourne. In addition to his work as a jazz performer, Nathan also works as an electronic producer and has gained a great deal of success and recognition over the last few years. Most recently he won the Triple J Bloc Party remix competition. (Check him out on myspace, and on the Triple J unearthed site.)
Nathan rockin outLong-time D.I.Y Art collaborator, Oscar O'Bryan, has performed extensively around Melbourne as both a trumpeter and DJ. He has played in venues including the Hi-Fi Bar, the Corner Hotel, Manchester Ln, and the Crown Palladium. He is one sixth of the funk/fusion outfit King Armadillo and also performs in various jazz outfits. (Check out the King Armadillo website, designed by D.I.Y Art’s Chris.)
Oscar doing some pro toolin'Today’s session took place in the music centre of Melbourne High School (Oscar & Chris’ old school). D.I.Y Art associate, and King Armadillo keyboardist, Peter Dumsday did us a big favour and hooked us up with some free space. As you can see it wasn’t quite a professional studio, but it was perfect for what we needed.
The studio setup
D.I.Y Art associate Peter Dumsday
Nathan & Oscar doing some quality sound proofing, D.I.Y style…
The finished productAt this stage the project’s official name is still undecided so for now we’re calling it “Robots” (which will definitely not be the final release name!). The score features three different parts - including jazz, hip-hop, and electronic influences. Each section of the score will be accompanied by a different style of animation. At this stage the visuals are set to include painted animation, animation based on a photomontage environment, and silhouette animation. Chris & Nathan have already been collaborating for a few months, and have made good progress with the second and third sections of the score.
Recordings from today’s session will be used for the first section of the score/film. The accompanying animation is set to look a bit like this:
Recordings from today’s session will be used for the first section of the score/film. The accompanying animation is set to look a bit like this:
More pics:
Chris trying to get pro tools working and Nathan having a rest. Yeah, we were all pretty tired.
Oscar amused himself between takes by taking photos like these.Thursday, February 28, 2008
Gaijin
Welcome to my blog. Check back for updates on the new material I'm working on.
Here's my bio (self-indulgent?):
Gaijin is an MC and producer based in Melbourne, Australia. His lyrics feature an emphasis on structure, storytelling & imagery. Major influences include El-P, Aesop Rock, Atmosphere, Talib Kweli, Common, Gil Scott-Heron, Raymond Carver, Ernest Hemingway, Awakenings Crew, & Mantra.
Inspired by artists like Blackalicious, Jurassic 5, & The Hiero Crew, Chris Pahlow started rapping in late high school. His first public performance was at a school social in 2003. His mic was cut off only a few minutes into his performance after bottles and glow sticks were thrown at him and his beatbox accompaniment.
In 2004 Chris began performing with Melbourne funk band, King Armadillo. He guested with the band until early 2006, using the name “EOC”, and later “Axis”. Chris added vocal elements to jazz and funk classics like Footprints (Wayne Shorter), Well You Needn’t (Thelonius Monk), & Pick Up The Pieces (Average White Band), and performed in a variety of Melbourne venues including The Hi-Fi Bar, Corner Hotel, Crown Palladium, Kitten Club, & The Purple Emerald.
During the same period, Chris was a regular at Elf Tranzporter’s weekly open-mic night at Babel on Brunswick St (previously The Original Cape Lounge). In these sessions, Chris honed his skills, learning from Elf and the other MCs taking up the mic.
Inspired both by freestyle legends like Supernat, and jazz improvisation, Chris focused on freestyle MCing for the majority of his early career. He frequently traded fours with the members of King Armadillo and other MCs. He also brought a new degree of audience interaction to King A performances, often rapping about topics, words and objects selected by audience members.
In early 2006 Chris began collaborating with what would later become the Nat Bartsch Trio. Chris began working on written material while Nat Bartsch, Josh Holt & Jeremy Hopkins crafted dark, jazz-influenced beats.
Unfortunately, the band was short lived. In March 2006 Chris contracted glandular fever, preventing him from performing and working on new material. Soon after, he decided to quit MCing. He stopped writing, freestyling, and recording. He has not performed since.
Later that year, Chris shifted his artistic focus from music to filmmaking. He combined with filmmakers Steph Brotchie & Maia Tarrel to form the production house D.I.Y Art Films. Together they produced the animated short “Fraught”, which won Best Australian Film at the 2007 Melbourne Inernational Animation Festival and has been shown at festivals around the world. At the same time, Chris continued his studies in creative writing, visual media, & philosophy.
In early 2008 Chris began working on new material using the name “Gaijin”. He is currently collaborating with award winning producer, Liow, and looks forward to working again with old friends. He hopes to return to performing in the second half of 2008.
Here's my bio (self-indulgent?):
Gaijin is an MC and producer based in Melbourne, Australia. His lyrics feature an emphasis on structure, storytelling & imagery. Major influences include El-P, Aesop Rock, Atmosphere, Talib Kweli, Common, Gil Scott-Heron, Raymond Carver, Ernest Hemingway, Awakenings Crew, & Mantra.
Inspired by artists like Blackalicious, Jurassic 5, & The Hiero Crew, Chris Pahlow started rapping in late high school. His first public performance was at a school social in 2003. His mic was cut off only a few minutes into his performance after bottles and glow sticks were thrown at him and his beatbox accompaniment.
In 2004 Chris began performing with Melbourne funk band, King Armadillo. He guested with the band until early 2006, using the name “EOC”, and later “Axis”. Chris added vocal elements to jazz and funk classics like Footprints (Wayne Shorter), Well You Needn’t (Thelonius Monk), & Pick Up The Pieces (Average White Band), and performed in a variety of Melbourne venues including The Hi-Fi Bar, Corner Hotel, Crown Palladium, Kitten Club, & The Purple Emerald.
During the same period, Chris was a regular at Elf Tranzporter’s weekly open-mic night at Babel on Brunswick St (previously The Original Cape Lounge). In these sessions, Chris honed his skills, learning from Elf and the other MCs taking up the mic.
Inspired both by freestyle legends like Supernat, and jazz improvisation, Chris focused on freestyle MCing for the majority of his early career. He frequently traded fours with the members of King Armadillo and other MCs. He also brought a new degree of audience interaction to King A performances, often rapping about topics, words and objects selected by audience members.
In early 2006 Chris began collaborating with what would later become the Nat Bartsch Trio. Chris began working on written material while Nat Bartsch, Josh Holt & Jeremy Hopkins crafted dark, jazz-influenced beats.
Unfortunately, the band was short lived. In March 2006 Chris contracted glandular fever, preventing him from performing and working on new material. Soon after, he decided to quit MCing. He stopped writing, freestyling, and recording. He has not performed since.
Later that year, Chris shifted his artistic focus from music to filmmaking. He combined with filmmakers Steph Brotchie & Maia Tarrel to form the production house D.I.Y Art Films. Together they produced the animated short “Fraught”, which won Best Australian Film at the 2007 Melbourne Inernational Animation Festival and has been shown at festivals around the world. At the same time, Chris continued his studies in creative writing, visual media, & philosophy.
In early 2008 Chris began working on new material using the name “Gaijin”. He is currently collaborating with award winning producer, Liow, and looks forward to working again with old friends. He hopes to return to performing in the second half of 2008.
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